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Home > Harlem (arr. M. Peress for orchestra)
Classical Composer: Ellington, Duke
Work: Harlem (arr. M. Peress for orchestra)
Year Composed: 1950
Instrumentation:  2(pic)22(bcl).2asx+2tsx[+barsx].2/4331/timp.2perc/hp/str
Publisher: G. Schirmer, Inc.
Duration: 00:14:23
Period:  20th Century
Work Category:  Orchestral

Work Information

Available Recording(s)

Throughout his life, Ellington made frequent reference to the famed Cotton Club, the high-stepping center of Harlem nightlife which had launched his own career and those of many jazz artists from the era. In 1950, Duke paid tribute to his roots with a jazz portrait titled Harlem. He later added a provocative sub-title to the piece—A Tone Parallel to Harlem. Orchestrated by Maurice Peress, the piece is replete with emotive effects. At the opening, grandly scored brass shred the air with avant-garde timbres worthy of Carl Ruggles and Charles Ives, followed by an extended centerpiece of soulful 'down-home-blues.' In turns, the sonic canvas blends back to the modern realm, highlighted by flourishing percussion and brazen colors at the close.

Writer: Edward Yadzinski

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