• Web Content Accessibility
MIT Libraries
Log Out
English
  • English
  • 简体中文
  • 繁體中文
  • 한국어
  • Español
  • Français
  • Deutsch
  • Português
Accessibility
Try new version

The My Account Setting page on NML3 is under development. You will be directed to NML2 to make changes to your account settings.

OK

<iframe frameborder="0" width="600" height="150" src=""> </iframe>

Your session has timed out. Please log in again.

Classical Composer: Berlioz, Hector
Work: La damnation de Faust, Op. 24, Part III: Minuet of the Wills-o'-the-Wisp
Year Composed: 1846
Instrumentation:  3(3pic).2(ca).2+bcl.4/4.2+2flg.3.2/2timp.4perc/2hp/str/stage music: 2hn.2tpt
Publishers: G. Schirmer, Inc.
Edwin F. Kalmus
Bärenreiter Verlag
Edition Eulenburg
Breitkopf & Härtel
Costallat
Carl Fischer
Boosey & Hawkes
The Edwin A. Fleisher Music Collection
Duration: 00:06:00
Period:  Romantic
Work Category:  Orchestral

Work Information

Available Recording(s)

Hector Berlioz did some violence to the geography of Goethe's great drama Faust in order to introduce the famous Rá kó czy March where Faust leaves the scene as this is heard in the first part of La damnation de Faust, Op. 24.

He had arranged and used this for a successful concert in the capital Pest. The march itself, by an anonymous Hungarian composer, celebrates the Hungarian patriot Count Rá kó czy, who led a rising against Austrian rule in the early eighteenth century.

Writer: Keith Anderson

Recording(s) for La damnation de Faust, Op. 24, Part III: Minuet of the Wills-o'-the-Wisp:
No. Catalogue No. Album Title Label Featured Artist

Please wait.

Play Queue

Hide Player

artist;

Naxos | cataId

00:00
00:00
00:00

You are already streaming NML on this computing device.