Karg-Elert, Sigfrid
(11/21/1877 - 4/09/1933)A chorister at the Johanniskirche in Leipzig, Sigfrid Karg had his earlier musical education there, before training to become a teacher. His father’s death in 1889 had brought financial difficulties, which led him, as an adolescent, to support himself as a freelance musician. In 1896 he entered Leipzig Conservatory. His earlier career suggested the possibility of earning a living as a solo pianist, but the encouragement of Grieg led him to further musical study and to composition. Rejecting the modernist musical tendencies that had interested him for a time, he wrote relatively little after the 1914–18 war.
Music for Organ and Harmonium
Karg-Elert, the second part of his name taken from that of his mother, is principally known for the many works that he wrote for the improved four-rank harmonium and which he performed on that instrument. Some of these formed the basis of his organ music and make not inconsiderable technical demands on a performer. Although he wrote a quantity of instrumental and vocal music, his name is today chiefly remembered by organists.
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Work Name | Category | Year Composed |
---|---|---|
Abendgefuhl (Evening Mood) | Instrumental | |
An mein Weib, Op. 54 | Vocal | 1906 |
Aphorismen, Op. 51 | Instrumental | 1905 |
Arabeske No. 1 in G-Flat Major, Op. 5, "Filigran" | Instrumental | 1900 |
Aus dem Norden, Op. 18 | Instrumental | 1903 |
Aus dem Norden, Op. 18 (arr. for organ) | Instrumental | 1903 |
Aus meiner Schwabenheimat, Op. 38 | Chamber Music | |
Benedictus, Op. 82, No. 1 | Choral - Sacred | 1912 |
Canzone in G-Flat Major, Op. 46b | Instrumental | 1912 |
Cathedral Windows, Op. 106 | Instrumental | 1923 |
Chaconne and Fugue Trilogy, Op. 73 | Instrumental | 1908 |
Choral-Improvisationen, Op. 65 | Instrumental |